{"id":35573,"date":"2025-06-23T10:16:50","date_gmt":"2025-06-23T08:16:50","guid":{"rendered":"https:\/\/www.bernaerts.eu\/?p=35573"},"modified":"2025-06-23T14:41:11","modified_gmt":"2025-06-23T12:41:11","slug":"17-19-juin-fifty-ways-resultats","status":"publish","type":"post","link":"https:\/\/www.bernaerts.eu\/fr\/17-19-juin-fifty-ways-resultats\/","title":{"rendered":"17-19 juin Fifty Ways r\u00e9sultats"},"content":{"rendered":"

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Fifty Ways
\n17-19 juin vente Live r\u00e9sultats<\/h2>\n

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La vente aux ench\u00e8res ‘Fifty Ways’, qui s’est d\u00e9roul\u00e9e du 17 au 19 juin, a apport\u00e9 quelques surprises, mais pas tous les lots ont atteint leur prix d’estimation. Ainsi, certaines \u0153uvres de la p\u00e9riode romantique sont rest\u00e9es invendues, comme Venneman, Lies ou Vandenabeele, tandis que les \u0153uvres des ann\u00e9es 1980 de Pistoletto, Stallaerts ou Allington n’ont pas fait parler d’elles. Cependant, des r\u00e9sultats (parfois plus que) satisfaisants ont \u00e9t\u00e9 obtenus pour des \u0153uvres de Joseph Dillens (lot 26, r\u00e9s. : \u20ac 3000), Petersen-Angeln (lot 21, r\u00e9s. \u20ac 2400) ou Eduard De Jans, par exemple. Son ‘R\u00e9veries’ a m\u00eame multipli\u00e9 l’estimation par six (lot 36, res. \u20ac 5000). Deux figures animales en terre cuite d’Alb\u00e9ric Collin (lots 63, 64) n’ont pas d\u00e9\u00e7u non plus, vendues respectivement \u20ac 4500 et \u20ac 3200 , tandis qu’un groupe en marbre de Victor Rousseau (lot 69), dont on a beaucoup parl\u00e9 r\u00e9cemment, a \u00e9t\u00e9 vendu \u20ac 5500. Des sculptures plus tardives d’Erwin Peeters (lot 81 : res. : \u20ac 4500), d’Iren\u00e9e Duriez (lots 76, 77, res. \u20ac 2600\/\u20ac 3100) ou de Joris Marijn Gaymans (lot 80, res. : \u20ac 4000) ont chang\u00e9 de mains tout aussi rapidement.<\/p>\n

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Une ‘Symphonie en blanc’, toile de 1912 de Frans Van Holder, d\u00e9c\u00e9d\u00e9 pr\u00e9matur\u00e9ment, a \u00e9t\u00e9 adjug\u00e9e \u00e0 \u20ac 10000, soit autant que pour un petit autoportrait de 2004-05 de Sam Dillemans (lot 676), tandis que ‘Staand Geel’ de Bram Bogart, \u0153uvre de 1978, a doubl\u00e9 son estimation \u00e0 son tour (lot 508, res : \u20ac 40000).<\/p>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image image=”35774″ img_size=”full” add_caption=”yes” alignment=”center”][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_single_image image=”35780″ img_size=”full” add_caption=”yes” alignment=”center”][\/vc_column_inner][\/vc_row_inner][vc_single_image image=”35783″ img_size=”full” add_caption=”yes” alignment=”center”][vc_row_inner][vc_column_inner][vc_column_text]Une s\u00e9lection des autres r\u00e9sultats : un inro du 19\u00e8me si\u00e8cle (lot 119, res. : \u20ac 3500), un canap\u00e9 v\u00e9nitien du 18\u00e8me si\u00e8cle (lot 248, res. : \u20ac 4000), ‘Corona Gloria’ d’Emile Vloors (lot 85, res. : \u20ac 3800), un porte-manteau mural de Jules Wabbes de 1958 (lot 507, res. \u20ac 4500), une toile de 1965 d’Elie Borgraeve (lot 535, res. : \u20ac 7000), ‘Chariot 2’ de Didier Vermeiren (lot 620, res. : \u20ac 6000), Braco Dimitrevicj (lot 586, res. : \u20ac 4500) et, enfin, deux bo\u00eetes d’observation d’Edith De Vries (lot 658, res. : \u20ac 3800).[\/vc_column_text][vc_single_image image=”35630″ img_size=”full” add_caption=”yes” alignment=”center”][\/vc_column_inner][vc_column_inner][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]<\/p>\n

La derni\u00e8re vente aux ench\u00e8res ‘Oeuvres sur Papier’ du printemps a enregistr\u00e9 des r\u00e9sultats stables dans les domaines de la litt\u00e9rature, du graphisme, des dessins et des \u00e9ditions d’apr\u00e8s-guerre.<\/p>\n

Un bel exemplaire du ‘Cruydt-Boeck’ de Dodoens (\u00e9dition de 1644, lot 1002) a \u00e9t\u00e9 vendu \u00e0 \u20ac 1700, tandis qu’une \u00e9dition de ‘B\u00e9atrice’ de Doudelet (lot 1125) dans une rare reliure splendide a \u00e9t\u00e9 vendue \u00e0 \u20ac 800.<\/p>\n

Lors de cette vente, Frans Masereel a pr\u00e9sent\u00e9 une solide offre avec de nombreuses \u00e9ditions et quelques fardes provenant de l’ancienne succession de son ami et ma\u00eetre Maurits Naessens. Ainsi, la belle suite ‘Expiations’ (lot 1089) est partie pour \u20ac 850 tandis que ‘Die Apokalypse unserer Zeit’ (lot 1184) a trouv\u00e9 son chemin pour \u20ac 650.<\/p>\n

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Outre Masereel, c’est le bon vieux Fred Bervoets qui s’est le plus illustr\u00e9, \u00e0 la fois avec des graphiques et des \u0153uvres originales. Ainsi, son ‘Engels des Doods’ (lot 1249) a \u00e9t\u00e9 adjug\u00e9 \u00e0 \u20ac 900 et son ‘Welcome Home’ (lot 1275) \u00e0 \u20ac 600.<\/p>\n

En outre, l’\u00e9dition ‘gantoise’ de Gerhard Richter (lot 1205) a \u00e9t\u00e9 vendue \u00e0 un client allemand pour \u20ac 2800, un beau dessin de Dan van Severen (lot 1335) a \u00e9t\u00e9 vendu pour \u20ac 2400 et le dernier lot de la vente, une \u0153uvre de jeunesse de Micha\u00ebl Borremans (lot 1375), a \u00e9t\u00e9 adjug\u00e9 pour \u20ac 13000.[\/vc_column_text][vc_single_image image=”35653″ img_size=”full” add_caption=”yes” alignment=”center”][vc_column_text]<\/p>\n

Expo.<\/p>\n

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La vente aux ench\u00e8res ‘Fifty Ways’, qui s’est d\u00e9roul\u00e9e du 17 au 19 juin, a apport\u00e9 quelques surprises.<\/p>\n","protected":false},"author":20,"featured_media":34623,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"off","neve_meta_content_width":70,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","neve_meta_reading_time":"","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_seo_schema_type":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[90],"tags":[104],"class_list":["post-35573","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ventes","tag-homepagina-fr"],"jetpack_sharing_enabled":true,"publishpress_future_action":{"enabled":false,"date":"2026-09-27 03:00:04","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"jetpack_featured_media_url":"https:\/\/www.bernaerts.eu\/wp-content\/uploads\/2025\/06\/0508-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/www.bernaerts.eu\/fr\/wp-json\/wp\/v2\/posts\/35573","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bernaerts.eu\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bernaerts.eu\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bernaerts.eu\/fr\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bernaerts.eu\/fr\/wp-json\/wp\/v2\/comments?post=35573"}],"version-history":[{"count":5,"href":"https:\/\/www.bernaerts.eu\/fr\/wp-json\/wp\/v2\/posts\/35573\/revisions"}],"predecessor-version":[{"id":35957,"href":"https:\/\/www.bernaerts.eu\/fr\/wp-json\/wp\/v2\/posts\/35573\/revisions\/35957"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.bernaerts.eu\/fr\/wp-json\/wp\/v2\/media\/34623"}],"wp:attachment":[{"href":"https:\/\/www.bernaerts.eu\/fr\/wp-json\/wp\/v2\/media?parent=35573"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bernaerts.eu\/fr\/wp-json\/wp\/v2\/categories?post=35573"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bernaerts.eu\/fr\/wp-json\/wp\/v2\/tags?post=35573"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}